2010-11-11

Crystals: TOPAZ
©S. Roger Joyeux


The following is a draft from Roger’s upcoming book on crystals. This new book will be the third volume of The Story of Light series of books.


Topaz

Topaz has been on the Earth since the most ancient of times.  It has come through a number of metamorphic changes, as have most vibrations on Earth.  During Earth’s earliest times, Topaz worked with the human body’s chakras, such as they were.  The design of the human form along with the design of its chakras has changed, and so has the way they offer and receive light.  The original chakra designs were of course inferior and met with their end.

Once the human body was capable of accepting light, however little that might have been so long ago, Topaz made its contribution.  Along with the changes that took place in the way light was organized in the chakras, so too did Topaz change.  In today’s world, Topaz’ orange colour resonates with the upper frequencies of the second chakra, and at times, with the lower frequencies of the third chakra.

The divine Creator gave Topaz the grace to open the creative juices, the rasa, or life-force of human existence since the very beginning.  One might well imagine that there was a great need during the early millennia to bring creative energies into the human form.  By the acquisition of the power to create, the quasi light-entity of early Earth adapted to, or adapted, his immediate surroundings.  The power to create, however, did not make life more comfortable in any significant way.  Even though comfort was essential to basic survival, the presence of the creative power had another purpose.  It permitted the higher-self and soul to manipulate light to a greater degree.

The limitations of the human body’s ability to assimilate light were soon realized, and the need for improvements became apparent.  The body was overhauled and redesigned.  The role of Topaz, at that early stage, was to serve as a vibratory home for greater quantities and higher qualities of light.  With more light, the soul’s energies gained access to the way light was manipulated on the physical plane.  During these early stages, the angelic ones did not yet know how light adapted to a third dimensional vibration.  Adapting light to Earth is the essence of our mission on Earth, but the knowledge of how to do so lay ahead.

When Topaz first brought the power to create into the existing chakras of early man, seven chakras did not exist.  At first, there was only a single chakra.  Soon after, there were three chakras—the base, the heart, and the crown chakras.  Topaz resonated with the crown chakra and, to a lesser extent, with the other two chakras.  At this early point in history, the differences between the chakras was inconsequential.  As such, any stone that could resonate with one chakra, resonated with all three chakras.  The crown was somewhat more advanced, because the initial work to bring any available light into the body was done in the crown.
The distant past has now come to the present.

In the last few millennia, Topaz continued its work to bring forth the creative energies of the higher-self.  To some extent, Topaz still brings forth light in the current new age, and still retains some ability to work with more than a single chakra.  However, its ability to crossover between chakras is limited to the second and third chakras only.  The second chakra resonates with the darker orange range of light frequencies, as does the usually darker orange Topaz.  These are the frequencies, which carry the body’s sexual energies.  The higher vibration of navel chakra, the chakra of creative power, is a lighter shade of orange, but primarily golden-yellow.  Topaz is also capable of empowering the lower ranges of the navel chakra to some degree.

With Topaz, the higher-self can participate to ensure the alignment between the chakra and the heavens, whenever the creative power is used.  The higher-self directs the expression of the chakras by bringing the higher frequencies from the soul, which correspond to the frequencies indigenous to the chakras.  Topaz gains a reputation for its contribution to the sexual and creative energies of the second and third chakras, but these are not the only vibrations enhanced by Topaz.

Once the soul and the physical plane align with each other, the increase in the amount of the soul’s creative light energy coming to Earth is significant.  Thereafter, the light frequencies acquired by the Topaz work to further empower the chakras’ energies and powers of creativity.  With more creative energy, the chakras provide an even more welcoming environment into which more of the higher frequencies of the soul descend.  Topaz helps create a place for the soul’s creative forces to come.

Let us return to the second chakra.  During the early millennia, the reproductive energies resided in the base chakra.  The alignment created by Topaz between the base chakra and the soul was the primary means to bring the sexual creative forces into the human body.  Consequently, the soul could more easily manipulate sexual reproduction by joining matter of specific quality.  It had great control over the selection process of reproduction.

Today’s base chakra is much changed.  In the modern era, some of this type of soul-directed guidance is still possible by using Topaz.  Again, Topaz of the darker orange variety resonates with the higher sexual energies of the pelvic second chakra.  It helps to open the second chakra to receive the creative frequencies of the soul.  Once opened, the will of the soul is asserted with greater effect upon the sexual drive of the individual in question.  While one might prefer to deny that species selection takes place in this way, the soul looks upon the process as a valuable tool for combining two entities with desirable qualities.  The process of sexual selection, similar to how it worked in the earliest of times, is based primarily on the individual’s ability to accept the soul’s light into his body.

If the striated piece of Topaz also has a natural termination, it is most valuable to the way that Topaz offers its light.

To learn more about how crystals work, both with our many subtle bodies and with their specialized ranges of light frequencies, Roger is hosting the workshop entitled, "Crystals' Light", on November 20-21. For more details, see here. To see Roger's other books see here.

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